With the arrival of a lovely range of new Kyoko 'dotty' and 'netty' scarves, we thought it was prime time to chat to Japan-born Kyoko Osato about her amazing one-woman show Kyoko Designs. Kyoko tells us about the joy of hand-weaving, balancing a business and a family as well as managing every aspect of her business on her own.
S: First up, could you tell us a little bit about your background? You are
originally from Japan, what inspired you to live in Australia? How long
have you been here and what path led you to what you do now?
KO: I
stayed in Melbourne with a working holiday visa in 1994 and loved this
city. I came back here in 1999 for a year and still loved this
city. Everything goes really well when I am in Melbourne so I thought
why not live here for good. Finally in 2002, I came back again to study
textile design at RMIT and I have been here since. I grew up playing
with fabric and yarn, my mother was a seamstress, so choosing to study
textile design was a natural thing. Weaving was one of the subjects at
RMIT and I really enjoyed it. I've been weaving since then. I keep doing
what I like and that's how I got to where I am.
S: Your scarves are hand woven, more like wearable sculpture than
clothing. Could you give us an insight into what inspires you to create
such unique pieces?
KO: When I was
studying weaving at RMIT, I made a sample piece which became more than
just a flat piece of fabric. I then realised that how fun it is to make
something which has a shape rather than just two dimensions on the
weaving loom. Traditionally, weaving is used to create a flat piece of
fabric. Using the same traditional technique combined with a technique
of felting, I'm trying to achieve some kind of depth, fabric with more
surfaces to see. I have been using a shape of scarf as a way to show my
ideas because scarves are very accessible to people.
S: All your pieces are handmade. With so many Australian companies now
having products manufactured overseas and mass-produced, why do you
choose to produce Kyoko scarves in Australia? What challenges/triumphs have you faced keeping your production local?
KO: Weaving
is such an old technique to make textiles. Everyone uses woven fabric
on the day to day basis such as your jeans, tea towels and bed linen,
but not many people know how the woven fabric is made. Most of them are
manufactured on a machine in a factory so we rarely see the process.
From what I make, I'm hoping to let people know that hand weaving is
still around even in a developed country like Australia and can be used
to make contemporary pieces. The challenge I have been facing from how I
produce my products is to keep the cost low. Weaving is a very time
consuming work. Most of the cost is my labour. This is one of the
reasons my designs are quite simple.
S: Could you give us a bit of insight to the way Kyoko functions as a business? Do you have a team of staff working with you or do you fly solo? How does the day-to-day operation of Kyoko work - what would a typical day involve for you?
KO: From
the admin work to the production, I'm running my entire business on my
own. My day used to start from working on my computer in the morning and
weaving in the afternoon, but lately my life is slightly different. A
new little person joined my life recently so my business will need to be
adjusted in the future. I'm only making winter products at the moment
so the way my business works changes month to month. I do the design
work in spring, stock making in summer, dispatching orders in autumn, and
a bit of relaxing in the winter.
S: And lastly, what’s your favourite Kyoko creation to keep you warm in the winter months?
KO: Samples!
I have to try many times to finalise my recipes for my scarves so I
have many samples. At the moment, my favourite is a Netty Tube scarf
sample.
Thank you Kyoko! We love knowing that there are still designers and makers producing their own wares by hand. Kyoko's elegant range of scarves are now in at Stockroom, perfect for those chilly days.
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